The Moth

I am slavishly devoted to two podcasts that update weekly: This American Life on NPR and another one called The Moth podcast.

I need more ears because I’ve discovered podcasts « knitnut.net 2008

We are occasional attendees of this great storytelling event in New York called The Moth, where people - sometimes famous - have to get up in front of a huge audience and tell a true 15-minute story without notes.

lie at your feet 2006

We are occasional attendees of this great storytelling event in New York called The Moth, where people - sometimes famous - have to get up in front of a huge audience and tell a true 15-minute story without notes.

through with buzz 2006

It’s called The Moth, and it has a simple premise: interesting people telling interesting stories, live with no notes.

Nunc Scio » Blog Archive » Things I like: The Moth 2009

In a phone interview prior to the show, he notes that the show had its genesis in a story he presented at The Moth, but it needed the structure of two interwoven stories to help grow the show into a fuller performance.

Phil West: Laughing at Another Man's Life: James Braly's Wry, Candid Look at Marriage Phil West 2011

There is live storytelling, the likes of which they do in New York at The Moth, and in San Francisco at Porchlight, during which an author is deprived of his or her only prop: something to actually read.

Jane Ganahl: Reading as a Spectator Sport 2010

There is live storytelling, the likes of which they do in New York at The Moth, and in San Francisco at Porchlight, during which an author is deprived of his or her only prop: something to actually read.

Jane Ganahl: Reading as a Spectator Sport 2010

There is live storytelling, the likes of which they do in New York at The Moth, and in San Francisco at Porchlight, during which an author is deprived of his or her only prop: something to actually read.

Jane Ganahl: Reading as a Spectator Sport 2010

There is live storytelling, the likes of which they do in New York at The Moth, and in San Francisco at Porchlight, during which an author is deprived of his or her only prop: something to actually read.

Jane Ganahl: Reading as a Spectator Sport 2010

But when they take the stage at The Moth, they all become verbal storytellers.

Andrew Marantz: We Tell Each Other Stories In Order To Live 2009